Joseph Lacasse Belgian, 1894-1975
Composition géométrique (Dia no. 121), 1949-50
Oil on canvas
60.5 x 45.5 cm
Signed and dated verso
Lacasse Estate Inventory Number Dia 121
Certificate of Authenticity by Mme Joostens-Koob
Lacasse Estate Inventory Number Dia 121
Certificate of Authenticity by Mme Joostens-Koob
Belgian artist Joseph Lacasse ranks amongst of the most individual painters of the Ecole de Paris. Born in 1894 into the desolation of a working-class family in Tournai, Lacasse's artistic...
Belgian artist Joseph Lacasse ranks amongst of the most individual painters of the Ecole de Paris. Born in 1894 into the desolation of a working-class family in Tournai, Lacasse's artistic vocation was first outlined at the local stone quarries where he worked as a young teenager. Lacasse was drawn to the austere structure of the stone, the reflections of which he intuitively rendered in a fragmented way. Lacasse's 'Cailloux' in pastels on tracing paper, display the luminosity of the stone. The implications of these youth works became later apparent when Lacasse returned to further exploring the theme of light at different points of his long career. His Oeuvre addresses fragmentation, luminosity and composition in a geometrical abstract fashion. 'Composition géometrique' is a great example of Lacasse's abilities to turn the fluidity of light into an almost suprematist painting.
The works of Lacasse are included in the following museums: Musée d'art moderne de la Ville de Paris; Musée national d'art Moderne, Centre Pompidou, Paris; Musée des Beaux-Arts, Brussels; Musée de Tournai, Tournai; Tel Aviv Museum of Art, Tel Aviv; Eilat Museum, Eilat; Carnegie Institute, Pittsburgh; National Gallery of Victoria, Melbourne; Musée des Arts Décoratifs, Paris.
The works of Lacasse are included in the following museums: Musée d'art moderne de la Ville de Paris; Musée national d'art Moderne, Centre Pompidou, Paris; Musée des Beaux-Arts, Brussels; Musée de Tournai, Tournai; Tel Aviv Museum of Art, Tel Aviv; Eilat Museum, Eilat; Carnegie Institute, Pittsburgh; National Gallery of Victoria, Melbourne; Musée des Arts Décoratifs, Paris.