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© Whitford Fine Art 2015

JOSEPH LACASSE: A Universe in the Universe - A Pioneer of Abstraction

Whitford Fine Art
6 Duke Street, St. James's
SW1Y 6BN

Private View: Thursday 4th June 2015
Exhibition: Friday 5th June - Friday 3rd July 2015

Monday - Friday
10am - 6pm

View Exhibition

View E-Catalogue

Born in 1894 into the desolation of a working-class family in Tournai, Belgium, Lacasse's artistic vocation was first outlined at the local stone quarries where he worked as a young teenager. During the early 1910s, Lacasse took small but roughly cut stones home to draw. These so-called 'Cailloux' are an extraordinary testimony to his vision, for starting from figuration he unwittingly created abstract works and became a pioneer of Abstraction. His status as a pioneer was during his lifetime recognized by eminent critics and writers in Paris and Belgium: Michel SEUPHOR, Maurits BILCKE, Roger BORDIER, and Henry POULAILLE.

Between 1909 and 1931 Lacasse practiced social realist figuration alongside proto-cubism and Abstraction and this may have counted for him loosing his status as a pioneer of Abstraction. However Sonia Delaunay was a staunch defender of Lacasse's work and role as pioneer and newly discovered correspondence between Sonia Delaunay and Joseph Lacasse sheds new light on the relationship between Lacasse and Poliakoff. Having settled in Paris in1925, Lacasse's alliance with Robert Delaunay is well documented as of 1928 onwards. Whilst Poliakoff remained a figurative painter until 1938, Lacasse had already gone through years of Abstraction. The considerable likeness between the works of Lacasse and Poliakoff has given rise to a great debate during the 1950s and 1960s. Now it is established that Lacasse is the defining influence on Serge Poliakoff.

The work of Lacasse never ceased to excite connoisseurs of avant-garde Abstract art but to this date his extraordinary contribution to the history of abstraction has not been fully recognises. The work is included in the following institutions:

Musée d'art moderne de la Ville de Paris; Musée national d'art Moderne, Centre Pompidou, Paris; Musée des Beaux-Arts, Brussels; Musée de Tournai, Tournai; Tel Aviv Museum of Art, Tel Aviv; Eilat Museum, Eilat; Carnegie Institute, Pittsburgh; National Gallery of Victoria, Melbourne; Musée des Arts Décoratifs, Paris.

Lacasse's abstract paintings represent the light he feels inside, the essence of humanity, the energy of the Ultimate Creator. Their colours and movement are inspiring, and their immediacy illustrates Lacasse's power as a painter and thinker. Thus Whitford Fine Art is delighted to reintroduce the abstract paintings of Lacasse to British public.