Cubist tendencies were apparent in Souverbie's work of the 1920s as a result of his contact with the work of Braque. However, his sensuousness allowed him to combine the cubist vocabulary with a more traditional naturalism in order to create his voluptuous, classical nudes. His monumental figures, his taste for allegorical subject matter and simplicity of composition reveal his interest in the great French classical painter, Poussin.